lesser_celery: (Default)
[personal profile] lesser_celery
I read two wonderful stories this past week, which I’m going to review here as teasers for the books in which they were published. One story is “Ignition,” from I-O, by Simon Logan; the other is “The Other Grace,” from In the Palace of Repose, by Holly Phillips. Both collections were published by Prime Books .

The opening scene of “Ignition” is creepy/scary in the matter-of-fact way the narrator contemplates his own imminent self-immolation. He finds a degree of meaning as a walking explosive for an anarchist named Shiva, who also plays a prominent role in Logan’s brilliant, yet-to-be-published novel Pretty Little Things to Fill Up the Void. The setting of Logan’s novel, as well as recent stories like “Ignition,” is a bleak near-future dystopia, which he seeds with fascinating little anachronisms, like (in Pretty Little Things) an apartment full of VCRs. Just as important, Logan’s characters are real people trying to deal with their brutally stunted prospects as best they can, sometimes through risk-taking, sometimes through violence, sometimes through relationships whether dysfunctional or touching or both, but always in ways that make the reader care. I suspect I’ll have more to say about Pretty Little Things to Fill Up the Void once it gets closer to publication.

In “The Other Grace,” Holly Phillips tells the story of a young woman who has lost her memory and endures the radical alienation of going “home,” where she finds her family trying to get their own, the “other” Grace back through what they see as acts of kindness. This is an extraordinary study of “otherness” that I wish I could have published in my magazine.

Work life: My latest publishing credit is a paper I helped one of our PhD students (Kalahn) write. It’s based on a series of questions we asked in a smallpox poll in late 2002:

Kalahn Taylor-Clark et al., “Confidence in Crisis? Understanding Trust in Government and Public Attitudes Toward Mandatory State Health Powers.” Biosecurity and Bioterrorism, 2005, 3(2):138-147.

Is that a cool journal name, or what? But the one I really want to get into soon is Vector-Borne and Zoonotic Diseases. That’s a c.v entry to die for. Hey, it’s not as though I’m likely to get published in Realms of Fantasy. I’ll leave that up to you folks.

Aside: I hope everyone will be patient while I try to find a voice for this space. I stumbled into having an LJ without having a plan, so I’ll be groping for a while.

Date: 2005-07-18 12:00 am (UTC)
sovay: (Default)
From: [personal profile] sovay
"Ignition" is my favorite story from I-O, with "Akin to Insects" and "Prism: The Mechanisation and Deconstruction of Beauty" as close seconds, and probably the closest in that collection to his second-generation industrial style as exemplified by Pretty Little Things and his two forthcoming collections. (You might like Simon's own description of the stories here: he's the only person I know who writes liner notes for his fiction.) I love his fusion of the near future—dystopian all the way, viruses and war zones that do not yet exist—with retro technology, cassettes and VCRs, and nobody's ever on the Internet. I'm not as familiar with Holly Phillips' work, but you're not the first person to tell me that I need to read "The Other Grace." Fortunately, In the Palace of Repose must be in one of these boxes . . .

Vector-Borne and Zoonotic Diseases is an awesome journal name indeed. I don't suppose they take fiction?

Date: 2005-07-18 12:03 am (UTC)
From: (Anonymous)
A scholar and a gentleman. I think you're finding your voice quite nicely.

And no, I'm not getting my own LJ

Patricia

Date: 2005-07-18 12:35 am (UTC)
From: [identity profile] rushthatspeaks.livejournal.com
I very nearly bought I-O at Readercon, on a previous rec from [livejournal.com profile] sovay, but while I could tell by flipping through that the stories are wonderful, I could not tell whether they are appropriate for someone on prescription antidepressants-- after a whole collection of Caitlin R. Kiernan I find myself staring at the wall for several hours and lacking the motivation to move. Is there any way you could let me know, without spoilers, whether the overall mood of the collection is optimistic, pessimistic, or downright mentally destructive?

Date: 2005-07-18 01:16 am (UTC)
From: [identity profile] lesser-celery.livejournal.com
If I had to choose from that response set, I'd say pessimistic. The stories (at least some of them) maintain a sense of humor or the absurd. But they surely are not cheerful. Some caution is advised, but I don't think it needs an depression-X rating.

Date: 2005-07-18 01:26 am (UTC)
sovay: (Default)
From: [personal profile] sovay
Part of this may also depend on individual reactions: I did not, for example, find Tales of Pain and Wonder to interfere with my emotional state (writing style, yes; emotions, no), so I am clearly not a good person for you to take literary bearings from. That said, I think [livejournal.com profile] lesser_celery probably has summed it up well. Downbeat, yes. Suicide watch, no. And beautifully written, if that helps.

Date: 2005-07-18 02:12 am (UTC)
From: [identity profile] lesser-celery.livejournal.com
Big Caitlin R. Kiernan fan here, and I think Tales of Pain and Wonder is still my favorite.

Date: 2005-07-18 02:43 am (UTC)
sovay: (Default)
From: [personal profile] sovay
Why so? (I mean, I know why your feelings about Low Red Moon, and I believe you still haven't read Murder of Angels. But I haven't heard why Tales of Pain and Wonder as opposed to Threshold or Silk.)

Date: 2005-07-21 12:43 pm (UTC)
From: [identity profile] fetishpunk.livejournal.com
Perhaps it says more about me than anything else but I've never really thought of my stories as pessimistic. I'm not really interested in saying, or having characters who say, "Ohh the world is so awful, i'm am so ugly blah blah..." Too goth for me I'm afraid. I prefer to just describe things as they come to me and if that's bleak then that's fine but usually within these stories (certainly the ones AFTER I-O) there are small glimpses of something warm and beautiful within all that garbage and for me that makes it even more special. I always hated stories/novels where the main character has a perfect life that is threatened ... that was just so uninteresting to me. So from my point of view anyway, the stories are optimistic as there is always *something* in there that, to me, is beautiful and worthwhile.

Date: 2005-07-21 12:44 pm (UTC)
From: [identity profile] fetishpunk.livejournal.com
"I suspect I’ll have more to say about Pretty Little Things to Fill Up the Void once it gets closer to publication."

i think you might have a while to wait unfortunately ... :)

Date: 2005-07-21 04:20 pm (UTC)
From: [identity profile] lesser-celery.livejournal.com
I agree completely with what you say about the bleakness. If the setting were a screaming out "Oh, how awful things are" and all the characters did was whine, the stories wouldn't be half as interesting. Your characters are real people living in the world they've got. Not to give away too much, especially if Pretty Little Things won't be out for a while (pout), the relationship between Catalina and Elisabeth in that novel is extraordinarily touching, and their concerns about Petr and X are true expressions of friendship. I really care about these folks. "Bleak" and "pessimistic" are not synonyms in my vocabulary either.
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